Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang (YIDFF 2005), carving out the cruelty of history, and questioning the precarious existence of the nation-state. 想看更多的未知相關(guān)湯與意識形態(tài),請關(guān)注我們的網(wǎng)站:www.shuijinmen.cn
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